This month in Radio and Production we look at Samplitude Pro X, a Windows-based multitrack recording software package from Magix that is very complete and capable, yet in some ways very different from more popular audio recording packages. It has the same capabilities as Pro Tools and Audition — in some instances more — but its object-oriented design puts it in a separate class altogether.
Now that it’s in the same price bracket as Pro Tools and Audition, it makes sense to try the free 30-day demo version. You may just be motivated to switch. Get the August issue of RAP to find out more.
So I decided to postpone the Samplitude 10 review until the June issue of Radio & Production (with approval from Editor Jerry, of course). I wanted more time to explore the program, which is both deep and wide. But Samplitude still has a Rodney Dangerfield complex here in the US — it gets no respect. That’s too bad, because it’s a strong contender as a standalone, all-in-one PC recorder and editor. Compared to Audition, its interface looks and feels more professional to me, and it provides a significantly better mixer with more features and functions. On top of that, it sounds really good; even in-the-box bounces sound good.
Unfortunately, Samplitude 10 is still as spendy as ever. The Pro version lists at $1295, which leaves the street price under a grand. There’s a “standard” version (maximum 64 tracks and eight busses) that carries a US list of $649, which puts street price under $500. The two-track Master version is $349, which streets at something under three c-notes. For VO work, the standard version is close enough, and you won’t miss the Pro’s extras.
Check out the June issue of RAP here.