This month in Radio and Production we look at Samplitude Pro X, a Windows-based multitrack recording software package from Magix that is very complete and capable, yet in some ways very different from more popular audio recording packages. It has the same capabilities as Pro Tools and Audition — in some instances more — but its object-oriented design puts it in a separate class altogether.
Now that it’s in the same price bracket as Pro Tools and Audition, it makes sense to try the free 30-day demo version. You may just be motivated to switch. Get the August issue of RAP to find out more.
I just finished reviewing the PromptBuddy product from Wells Park Communications, for the February issue of Radio & Production magazine.
Designed for use by voice artists producing IVR prompts and narrating e-learning projects, PromptBuddy records and automatically trims voice prompts from scripts. It works and is beyond simple to use. However, it does have limitations that may make it unsuitable for some projects. It does not compare to similar products like, for example, Word2WAV. It’s also a bit fiddly to use as a result of its compromises.
On the other hand, it’s inexpensive and does what it’s designed to do.
When the last pair of longstanding favorite AKG K-240 headphones (the regular 240 model) finally gave up the ghost, it was time to go shopping. Yes, I’ve listened to some of the recent crop of celebrity-endorsed headphones — they were uniformly bad with sloppy, overhyped bass — and found them completely unsuitable for production work.
The most interesting production-grade headphones were the beyerdynamic DT 1350 Professional Headphones, the Ultrasone Pro 750s, and Shure’s SRH940. In the November issue of Radio and Production magazine I’ll tell you how I think they stack up.
The November issue of Radio & Production magazine features my review of Sony Software’s latest release of Sound Forge, labeled Pro 10. You won’t find a lot of new features, but there are a couple that are compelling enough. No, the major improvements are in workflow and in the user interface, and these are substantial. I like it.
What’s kinda funny is that Sony pulled a quote from my review and used it in an email campaign advertising a free webinar on Forge 10:
Steve Cunningham, (Radio and Production Nov 2009) writes “Sound Forge Pro 10 is to version 9 as a 2010 Ford Mustang is to a 1969 Boss Mustang… still wicked fast, still sounds like business, but so much easier to drive.”
Don’t misunderstand me… I like publicity as much as anyone, and the pull is a direct quote — yup, I wrote that. What’s amusing is that at no time did I ever speak to anyone at Sony Software, either before or after I wrote the review. Furthermore, I bought the upgrade and paid for it myself (which I think is as it should be). But my contact info is in there at the end of the article. I’d have thought they’d send a note asking if I objected to their use of it, or at least telling me they were going to use it.
Makes me go “hmmm…”.